With the Sadhana
Multipurpose Cooperative Society (SMCS) being allowed a legal existence as a
cooperative society, the debate on how Goa should deal with its mineral
resources is moving forward in a direction that holds much promise. The
initiative of the setting up of the cooperative was led by the villagers of
Caurem, particularly by Ravindra Velip. The villagers of Caurem had to fight
for almost three years before the authorities agreed
to recognize Sadhana as a cooperative society. That Sadhana was made to wait
for so long is not surprising considering that their objectives
is to enter the mining business whereby they will
operate leases, extract ore, transport the extracted ore, sell and export it,
cutting across the interests of giant corporates. This three year period,
therefore, was not one of idle wait for the villagers of Caurem, but one marked
by numerous protests as well as attacks on the villagers.
One of such
protests had led to the arrest of some villagers in Caurem, including an assault on them while in jail. RavindraVelip was then the panch of Caurem. A new
graphic novel, released online for free circulation about a month
ago, uses the assault on
Velip and his comrades as a backdrop to reflect on the struggles of people
against the destruction of lives and ecology. Trucked! is a joint effort by Favita Dias, a lecturer in sociology,
and the illustrator Anjora Noronha. The title of the graphic novel draws from
the image of a thousand trucks that transported iron ore from the mines of
Caurem to the docks in Sanvordem. The
graphic novel is about Dias’ personal experience of attending a protest meet and
standing in solidarity with the villagers of Caurem.
Dias recounts
her experience of negotiating her way to Caurem, where the trucks are lined
bumper-to-bumper. “Follow the trucks,” Dias is told, when she asked for
directions to Caurem; the empty ones, of course. Trucked! in this sense not only serves as a metaphor for
negotiating the bumper-to-bumper traffic on the road from Caurem to Sanvordem,
but also helps to bring attention to the most visible aspect of mining: the
trucks that transport the ore.In fact those who live in the mining areas and on
the route through which the ore is transported would largely agree with Dias’
characterization of the trucks as “monsters”. These vehicles speed down the
roads, kicking a storm of dust and mowing down whatever comes in their path – even other human beings.
The graphic
aesthetic also tries to capture the problems that rampant mining has brought
about. The colour red – the colour of the Goan soil and of large-scale mining as
well – jumps out of the pages. The powdery texture that the illustrator has
managed to produce gives us an impression that it is actually the mining dust
that is on the pages of the graphic novel. Much of the internal reflection or
the inner thoughts and past memories of the author are depicted using shades of
gray. This alternates between the red, dusty-texture of scenes involving iron
ore. Thus, the graphic novel offers us a stark contrast between two worlds: the
internal world whereby one tends to reflect deeply about finding solutions to
problems; and the external world that witnesses a senseless and unabated
destruction of lives and ecology.
It is important
to recognize how this interiority or internal reflections can help in thinking
about the problems related to mining, or for that matter any other problem that
confronts Goa. Dias offers a reflection on where an individual should place
herself in the larger scheme of things; how one can
relate to the struggles of others. It is also about keeping faith, and gaining hope
and strength from the battles waged by others, that ultimately would bring about
positive changes in our own lives. Dias reflects on the manner in which the
villagers of Caurem were waging their protest and resisting the assault of
mining corporations and how Ravindra Velip, calm and composed, was handling all
sorts of allegations against him in the fight for justice. Trucked! teaches us a way to think and feel about the problems and
protests that we are witness to.
In fact, this
ability to express the internal condition of the mind to a problem widespread
in society was also seen when Dias wrote an essay on her personal experiences
in encountering casteism; her coming to terms with her identity as a woman from
the Gauda community (published in O
Heraldo, 24 January 2016).
The personal and emotional conflicts that one goes through and how one can
think of these conflicts and pressures in a wider social universe is the way in
which Dias structures her work.
It is also
essential to recognize the importance of various types or modes of
representations that discuss problems faced by the society. Thus, our
resistance to the problems becomes stronger if, along with newspaper reports, op-eds
and books, we also have other forms of representation like tiatr, songs, and graphic novels such as Trucked! Such efforts would go a long way to build a corpus of
texts that record history of Goa’s struggles against destructive so-called
development.
(First published in O Heraldo, dt: 24 May, 2017)
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